The Window Itself is a Necessary Place, Jas
Shalimar and Neil Roney, 2019, Repurposed wood, glass,
wood putty, silicone, stainless steel, beeswax.
Everything, Oneself, Jas
Shalimar and Neil Roney, 2019, Repurposed wood, wood glue, putty, nails, beeswax.
A self portrait (Small things collection), 2024, found objects (Head pendant by Hedwig Crombie, coin by Ceri Hann, manuka bud earring by Harry Were, bird pin by Manuelle Guibal, bean from David Horvitz, everything pin by Zoe Brand)
Where We Meet, 2018, aluminium armature wire, microscope slides, glass, copper foil tape, solder, personal mementos, found objects.
An iteration in my project The Women Who Made Us, an exploration into the women who helped form my identity. This artwork was my response to interviews i conducted with 12 women in my life who’ve meaningfully influenced my identity. This piece brings together curios, significant objects and images to create a dynamic archive. 
Today is what you make of it (suspended thoughts), 2018, aluminium, wire
(installation photo) Today is what you make of it (suspended thoughts), 2018, aluminium, wire
Like Looking into the Sun, 2018 
Personal Landmarks, 2018, site specific work: vinyl on glass window (From exhibition ‘Up to Now’ at CAST Space RMIT)
The Air Between Us, 2018, etched glass, marine steel rope